Or, Thoughts on Stephen R. Platt, Autumn in the Heavenly Kingdom: China, the West, and the Epic Story of the Taiping Civil War (Knopf, 2012).
Odd as it is to say, it’s been a long time since a history book completely captivated my attention; and even longer since I lost a night of sleep to stay up reading one. I read history all day, everyday, but rarely for pleasure – one likes to escape, you know? But sometimes something special intervenes. Stephen Platt’s excellent account of the Taiping Rebellion is one such. While by no means an escape – the civil war he takes as his subject was one of the most brutal the world has ever seen – his book is as gripping and analytically sophisticated a piece of historical scholarship as I have ever read.
Platt’s book marries the deft use of “novelistic” tricks of popular historians with a serious and important new analysis of the Taiping civil war to construct a gripping narrative. The careful use of a judiciously chosen cast of characters – drawing from all factions in the war – allows Platt to draw the reader in to personal stories. But these are not just historical excursions for history’s sake, loosely connected. Rather, Platt makes a consistent, and convincing argument that the war should be seen as intimately connected to the other great civil conflict of the period – the American Civil War – by way of British foreign and economic policy. (Basically, he argues that the Brits got involved in the war – decisively, as it happened, on the side of the Qing – to protect their economic interests, partly out of pressure put on them by the loss of the American market).
In what I think is his greatest accomplishment, Platt makes all of these events make sense.* That might sound like the first task of an historian – but believe me when I say that it is quite a feat, especially in this case. The caprice of the British public and the arrogance of some of their officials is paired nicely with the internal politicking of the Qing and Taiping courts. Each on its own is complex enough, but Platt is able to draw out the links between them, to explain the unfolding of events through these wavering intersections (which is not to say that events were rational; like all wars, this one was model of chaos). As someone who has mainly confronted the Taiping war through the garbled accounts of contemporary American observers, I can’t tell you how refreshing it is to finally have some glimpse of the Taiping war as a coherent whole. (Okay, well I can: and just did).
I think part of the secret here is that, unlike other books on the war which analyze the particular cultural characteristics that motivated actors – say, Jonathan Spence’s – this book concentrates on making the strange familiar, and not on delineating just how strange the the strange was. Thus we get a portrait of Zeng Guofan, commanding general of the Hunan army (the main Qing force), that depicts him as a deeply conflicted, even tortured scholar trying to follow duty wherever it led. The foreignness of Zeng’s worldview (from our contemporary, Western perspective) is only partially revealed in the denouement, when glimpses of Zeng through the eyes of Western and Chinese observers reveal a brutal, calculating man, working to protect his image and his family’s power from the still-smoking and blood-stained ruins of the rebel capital, Nanjing.
I’m no expert in the Chinese historiography, so I can’t comment on how Platt’s work succeeds of fails in that regard; certainly his pedigree as a China expert is impeccable, and Sinologists who’ve reviewed the book seem pleased. From my perspective as an Americanist with more than a passing knowledge of British and American sources relating to the period, nothing rang false. Sections of the book dealing with British perspectives on the war, or maneuvering in Parliament, or even American reactions to the Taiping all seemed judiciously written, and did not a make any claims that stepped beyond the evidence. The Chinese sections…well, Chinese history, in English, always seems lightly sourced to me – but I think that is an artifact of the available archives and my footnote fetish, not any sort of real criticism.
(If I have one criticism, it is that I wish Platt had refrained from including a poorly-argued NYT op-ed as part of his book publicity efforts. Affecting a Tom Friedman-level of rhetorical analysis is not only historical malpractice – really, is the Taiping rebellion in any way like China today? really? – it does his scholarly reputation no favors. Indeed, had I not already bought the book before I read that article, I would have never cracked the cover).
But if we judged all scholars purely by their malpractice on the op-ed page, then we’d read no one, ever. So, my recommendation is simple: whatever your speciality or your interests, go read Stephen Platt, Autumn in the Heavenly Kingdom, and have your understanding of 19th-century history, the global economy – and perhaps even your ideas about human nature – helpfully revised. And maybe your sleep disturbed, too.
*The petulant jerk who reviewed the book for the NYT seems to lack any sense of how complex this war was – how many people were involved, how difficult the sources are, how much violence deranges neat narratives. His complaints about how difficult his finely-tuned flâneur’s mind found the book reveal more about him, I think, than about the work under review.
2 thoughts on “A Slaughter-Bench, Explained”
A useful report from the Taiping history trenches. I’ll put this close to the top of my Global 19th Century must-read list.